1st December 2011 Cascade Microphones Fat Head II by Szejna. Buy Cascade Microphones FAT HEAD Ribbon Microphone (Brown Body and Gold Grill, Stock Transformer) featuring Stock Transformer, Figure-8 Polar Pattern, High Sensitivity & Detail. They seemed matched quite nicely. At a distance, my voice sounded round in the mid frequencies. The outer ring is metal. The $2700 microphone was used for many things, but it's fame was as a primary stereo pair for the choral performances. The Cascade Fathead is a ribbon microphone with a central positioned corrugated aluminium membrane (the ribbon) which therefore means it receives audio equally front and back (like most ribbons it is a fig 8 pick-up pattern). Cascade has staked their claim in the "bang for the buck" market by pairing cost- effective, globally-sourced machining and manufacturing, with meticulous "in-house" circuit design, quality control, and assembly. The sound of the mic was open, yet warm and definitely natural. The plastic handle is held in place by a couple of thin hinges. In the end, most people are most interested in what's inside the case. They are big and heavy. My pair has only the stock transformer, and reportedly the upgraded one sounds somewhat clearer. I recently bought a used Fathead II with the Lundhal transformer upgrade from a fellow on Gearslutz. I also love ribbons on acoustics. The Cascade website used to make the following distinctions between the FAT HEAD and “similar competitive models:” Radian grill (bows out) adds better frequency response vs. flat closed grill. I was really impressed after using it to track a nylon string guitar and a vintage Fender amp. Mic Database | Mic Reviews | Microphone Sale, TapeOp Issue #55/September, 2006 | by John Huebner, See specifications, reviews, & mods for the Cascade Microphones Fat Head. This is ideal for using a pair in Blumlein configuration for stereo recording. These hinges are riveted to the case with small, chintsy rivets. With this in mind, I thought I’d check out Cascade’s website. The PDF does include some basic notes, but the info is minimal. Keep your eye on the Cascade website for news about the forthcoming Fat Head with transformer “mod” — your choice of Lundahl or Jensen — for $299. The Cascade Fathead Sootout: Is it very Honest? I have not measured these responses, so don't take those frequency points as accurate, but my in-ear test seems to point toward this ballpark difference. Perhaps one day, the company will offer a nicer case for a bit more money. The mic comes with a wooden box, a velvet mic pouch, a cleaning cloth, and a shockmount made especially for the Fat Head. It is anything but your typical audio processor. I wish I had held out to buy that new copper colored Knucklehead ribbon they just released. First off, the handle looks like metal, but it's plastic! The Cascade Fat Head is an upgraded Alctron HRM-15 / ShuaiYin SYR-30 ribbon microphone. Cascade’s latest addition, the Fat […] I am quite grateful. In fact, a 57 and a fathead side by side on a nice tube combo amp sounds like a good day of e guit tracking. Cascade Fathead II stereo pair When you buy products through links across our site, we may earn an affiliate commission. Cascade Microphones Fat Head II. The shockmount was sturdy, and the mic fit into it snugly and stayed put. Cascade microphones are the best microphones on the market (for the price) I bought a matched stereo pair for 600 bucks. It's really dark sounding, but I love blending it with an RE20 to find the perfect tone. You may be thinking, “How did it sound and perform?” Well, I ran the mic through a tube mic preamp and boosted the gain so it would really open up. The walls of the case are metal, but thin, and I'm not sure what's behind them to keep it's shape. How anyone could feel safe, toting around 5 pounds' worth of delicate microphones & accessories with a thin, plastic handle would be beyond me! Comparatively, the front of the mic seems to accentuate the low end (~150 Hz), whereas the rear seems to accentuate the low mids (~350 Hz). Besides the fact that in a blind test, they are nearly impossible to discern from much more expensive ribbons, I found that I preferred the Cascade in the "$60,000 Ribbon Microphone Shootout over many much more expensive microphones. The price remains the same for the mic without the mod. Just bought a pair of Cascade Fathead II's. and have a pretty nice (soft) top end. It gives every source I've used it on a nice, smooth, warm and "woody" sound. The Royer mics do advertise an extended frequency response in the upper and lower spectrum, according to the charts; however my ears tell me the upper end of the spectrum is not as flat as they claim. Bottom line, this mic is very versatile. I would assume the newer models, using flat faces on both sides of the basket, would provide a closer audio match, front to rear. In anticipation of this option, newly manufactured units (with or without the mod) now come with an enlarged body and an upgraded wood box with a nice lacquer finish, plush interior, and silver hinges. Ribbon Mics: The Good & The Bad (Cascade Fathead) - YouTube Put them up in the room and liked them better, but I think they'll stay on guitar cabs for me. Phil’s Cascade is an amazing toolbox which will open the world for creating the most interesting sound flavors. ... Shure SM57 Dynamic Mic Review / Test - … It is truly a unique mic with a classic look. So did the bass, of course, thus the filter. Materially, the Fathead II and its accessories are good value for the money. How to Assemble a Trampoline Easily? Read honest and unbiased product reviews from our users. When my ribbon became damaged and started buzzing, I called Cascade and they replaced it for me quickly and cheaply. I used to record choral, orchestral, and jazz in Indianapolis, quite often live shows. They blew me away. While I don’t consider the FAT HEAD to be in the same league as the Royer line of ribbons, I still think it is a fabulous mic and an amazing bargain. Nevertheless, it may be okay for studio-only use; and it's still far better than a cardboard box. Upon inspection, I felt that the mic and shockmount were of decent build quality. They are perfect for acoustic guitar, ORTIF, or OH. Who's using Cascade Fathead II for drum overheads. My favorite so far is a Royer 122. Thus, the build quality and quality control are very good, better than what one might expect at the price. The rep also told me that I could email him with any further questions or concerns, which was nice. I used the Fat Head close-up on acoustic guitar as well as on a small Vox tube amp with an electric guitar, as an overhead for hand percussion, and as a straight-up vocal mic. For a while now, I’ve wanted a ribbon mic to fill the need for different sounds other than what my small collection of condensers and dynamics can provide. Cascade Fathead II ribbon microphone When you buy products through links across our site, we may earn an affiliate commission. There really isn't any one mic that is better than all the others for all sources. I also love ribbons on acoustics. I'd like to focus on some areas that seem to have been left out: namely, some nuances of this ribbon mic, and the rest is about workmanship. It's a little hard to get the mic in and out, and the tightening screw tends to come loose. For those of us who haven’t yet entered the world of ribbon mics or just don’t have the dough for R84s and the like, the Fat Head is a perfect choice. Cascade Microphones Fat Head Bidirectional Ribbon Microphone . Read more about the Cascade Fat Head ribbon microphone. Review this product Prices & More Info Tools . It sounds great on strings, acoustic guitar, electric guitar, and voice. My favorite so far is a Royer 122. They were my first cascade mics and now I always go to them when looking to get new mics, I know own 6 fatheads. This mic is a great value. I was impressed by the variety of sounds I was able to get with this microphone. It's usually pretty low in the mix, but it does add some nice warmth. I bought a pair of these as my first ribbon mics. There is a certain color to the Fathead's sound however that I imagine is wedded to the basic design and componentry of the mic, with either transformer. He suggested the basket did not change the sound. If anyone was wondering where this company must have cut corners, it's the case. As a possible first foray into the warm, natural sound of ribbon mics, one could do a lot worse than the Fathead II. Having only recorded guitar amps with dynamics and LDCs, I really liked the beef this added to my guitar sounds. 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